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Literature Text
He took me on a cigarette run to the train tracks
in his not-girlfriend’s car.
I slipped past the growth he trampled
toward the underbelly of the bridge.
He asked me if I was wearing shorts
and I wasn’t.
From the struts, he hurled rocks like punctuation
to a breathless, incessant combustion.
—“People who live in glass houses shouldn’t throw stones.”
But I guess that makes me a hypocrite.
They echoed like gunfire
across graffiti-covered walls,
charting out adolescence,
and ricocheting off my ribs.
When I put my arm around him,
he felt like a landmine.
He was the train that rumbled by
and he said we were lucky it was on the other side.
Were we?
When I saw his eyes like
orphanages—I wanted to kiss him.
I didn’t.
We just sat there and waited for another train.
in his not-girlfriend’s car.
I slipped past the growth he trampled
toward the underbelly of the bridge.
He asked me if I was wearing shorts
and I wasn’t.
From the struts, he hurled rocks like punctuation
to a breathless, incessant combustion.
—“People who live in glass houses shouldn’t throw stones.”
But I guess that makes me a hypocrite.
They echoed like gunfire
across graffiti-covered walls,
charting out adolescence,
and ricocheting off my ribs.
When I put my arm around him,
he felt like a landmine.
He was the train that rumbled by
and he said we were lucky it was on the other side.
Were we?
When I saw his eyes like
orphanages—I wanted to kiss him.
I didn’t.
We just sat there and waited for another train.
Literature
Carcinogens
My hands smell
like antiseptic solution
and cancer, because
the peroxide won’t
cleanse your cigarette
ashes from my nails,
and the cremation
jar is still smoking.
Literature
.
I am what
my father
taught me;
you'll find
the devil in
my hands.
Literature
i
i as a thing with a body
must feel endlessly.
opening, blooming,
closing, wilting:
i flower
and the sky falls upon me.
i am the root, the stem, the rain.
when this bedrock allows
for no more following --
then i must lead,
if i wish to breathe.
i as a thing with a body
have no lungs to speak of
and must compensate
with twigs,
and pixels,
and distance without schematic
with falling, for a lilac while
and ending things before they begin.
when i am hurt
i must not be hurt.
i as a thing with a body
must never be hurt:
to be hurt is surely to die,
and to die is to be unknown.
to be unknown is to have roots
but no stem
no petal.
i
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Full title: Some of that Graffiti was from His Not-Girlfriend and I
October, 2014
(P.S. I know that you, the "not-girlfriend," are probably reading this. I'm sorry if it's shocking and sorrier if it's not. I try to keep it in check, and it's not like I'm a threat anyway.)
October, 2014
(P.S. I know that you, the "not-girlfriend," are probably reading this. I'm sorry if it's shocking and sorrier if it's not. I try to keep it in check, and it's not like I'm a threat anyway.)
© 2014 - 2024 relativi-t
Comments24
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Wonderfully done. I loved the imagery and the frankness of the piece.